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Arman Fatić

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BERLINALE SPECIAL Day 1: Ozon’s “Peter von Kant” opens 72nd edition with new onsight regulations

The 72nd edition of the Berlin International Film Festival opened last night at Berlinale Palast with François Ozon’s latest […]

May 24, 2022

Five more essential films from: South-East Europe

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After great interest in our previous film list, which focused on 5 essential films from South-Eastern Europe in […]

March 22, 2022

Five essential films from: South-East Europe

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South-Eastern Europe of the common Slavic language, every few years brings several films that are very highly acclaimed […]

March 22, 2022

Frljić’s “The Brothers Karamazov”: The dual nature of human greed, misery and loss

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The Brothers Karamazov theatre play directed by Oliver Frljić had its premiere this weekend (February 26 and February 27) at […]

March 22, 2022

The French Dispatch – review: The New Yorker magazine meets Wes Andersons “What if?”

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What if one of the most popular cultural magazines in the world, The New Yorker, was based in […]

March 22, 2022

House of Gucci – review: Fame makes a man take things over

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There is a certain point where the film market gets oversaturated with one theme or film approach after […]

December 11, 2021

Titane: review – Murder, pregnacy and sex with the car?

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A noisy child is playful in the back seat of the vehicle. The kid just can’t keep it […]

December 11, 2021

Annette – Cannes reviews: Leos Carax’s bizzare fame and shame musical

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The voice announcing the “show” tells the audience that singing, clapping, laughing or farting, should be done, only […]

December 11, 2021

The Worst Person in the World – Cannes reviews: Millennial love in 12 chapters (with prologue and epilogue)

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A woman on the verge of her 20’s stands still on a balcony at a party and reflects […]

December 11, 2021

Interview with Václav Marhoul: The director of The Painted Bird

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Václav Marhoul (born 30 January 1960 in Prague) is a Czech film director, screenwriter and actor. He studied at […]

May 10, 2021

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