U posljednjih nekoliko godina moja sestra i ja jako mnogo putujemo. Kada se saberu zemlje koje je ona posjetila i koje sam ja posjetio, brojka bi vjerojatno prelazila 40 zemalja svijeta. Mada, oboje volimo putovati i uživamo u istraživanju novog i drugačijeg, postoji jedna stvar po kojoj se naša putovanja značajno razlikuju. Po količini stresa […]
Month: July 2019
Nomadi 101: Kako putovati jeftino?
Vjerojatno najčešće pitanje koje mladi putnici poput mene dobiju je „Otkud ti tolike pare da putuješ?“. Nikog živog ne zanima gdje spavam, šta radim na svim tim divnim mjestima koje posjetim, kvragu, nitko živ ne pita ni kako neko mjesto izgleda, kakve dojmove ostavlja… Uvijek je prva rečenica: „Jarane, i ja bih da imam love.“ […]
Young Ahmed: Braća Dardenne o vjerskom fanatizmu i mladima
Karijeru braće Jean-Pierra i Luca Dardennea za one manje upoznate s njihovim radom, obilježio je niz društvenih drama s fokusom na aktualne probleme u regiji (Belgija/Francuska). U centru njihovih filmova dosta često su se nalazili djeca u razorenim obiteljima (Rosetta, The Kid With the Bike) ili žene u borbi za osnovna prava (The Silence of […]
The Crossing [2019]: ‘FEFF’ review– The Queen of Hong Kong
Originaly published on: https://www.highonfilms.com/the-crossing-2019-nyaff-review/ First-time mainland Chinese director Bai Xue managed to build up her name in the film industry with her stylish teen crime drama feature “The Crossing (Guo chun tian)”. The film premiered at TIFF 2018, where it won NETPAC Award and got nominated for Discovery Award. Afterwards, the film went to Pingyao […]
Is it possible to make an infinite film?
Maybe the better question than the titular one would be, why would somebody even want to try something like that? Well as a long-time cinephile, and a film critic, in the past five years I developed incredible love towards films with extremely long runtime. At first, I just enjoyed the big-budget, good old celluloid classics […]
The Dead Don’t Die: Jarmuscheva usporena komedija koja proždire mozgove publike
Zainteresirati prosječnog filmskog gledatelja za filmove prikazane na Cannes Film Festivalunije nimalo jednostavan zadatak. Realno gledano, u proteklih nekoliko godina ono što je uglavnom dopiralo do generalne filmske publike bile su plitke senzacije poput sporova s Netflixom (Okja, The Meyerowitz Stories), tabu filmova koje nježna festivalska publika nije mogla svariti (Raw, The House That Jack Built) te manje-više […]
If You Are Happy [2019]: ‘NYAFF’ review: Hope of better education
Originally published on: https://asianmoviepulse.com/2019/07/film-review-if-you-are-happy-2019-by-chen-xiaoming/ In the opening minutes of Chen Xiaoming’s first feature film “If You Are Happy”, we follow Mr. Wu, a high school professor, ending his lecture after a sudden phone call. While rushing out to the car, one of the students, Mrs. Hang calls him back, because he forgot the red envelope. […]
Still Human [2019]: ‘NYAFF’ review: What it takes to be human?
Originally published on: https://www.highonfilms.com/still-human-2019-nyaff-review/ The disabled middle-aged man awakens in his wheelchair in the opening scene of “Still Human (Lun lok yan)” – The first feature film from director Oliver Siu Kuen Chan. His name is Cheong-Wing (Anthony Wong) and he lives in a small, messy apartment in a social district. His family is nowhere […]
Sorry We Missed You [2019]: Cannes review – Ken Loach and selfdeprivation of the working class
You do not work for us, you work with us … you are master of your own destiny, “says the voice of Maloney (Ross Brewster), storage manager at the opening of the movie “Sorry We Missed You”, directed by Ken Loach. And as we are already accustomed to the British filmmakers career, what is there […]
Sorry We Missed You: Ken Loach o samoizrobljivanju radničke klase
Ti ne radiš za nas, ti radiš s nama… gospodar si svoje sudbine“, govori glas Maloneya (Ross Brewster), upravnika skladišta u uvodu filma Sorry We Missed You, redatelja Ken Loacha. I kako smo već navikli iz karijere britanskog filmaša, ono što nas očekuje je sto minuta društvene drame u kojoj će figura radničke klase, ovog puta obiteljski […]